Celebrated for his multidisciplinary approach to art and design, Herbert Bayer called painting "the continuous link connecting all the facets of my work." The paintings presented in the exhibition give us a window into the personal side of this versatile artist. More
Herbert Bayer spent an artistically fruitful decade in Berlin following his tenure at the Bauhaus. His graphic designs of the time are characterized by inventive integration of typography, photomontage, and graphics. Born of Bayer’s multidisciplinary method, these designs appear fresh, even today. More
Don't miss Herbert Bayer's anthologies series, in the Hamilton Building's lower level gallery.
In these late works—painted in the final decade of his career—Bayer moved away from earlier formulas and rational structures, and allowed fantasy, intuition, and imagination to reign. The paintings re-examine his previous themes, including geologic and atmospheric forces, nature and the cosmos, and symbols such as letters and gates. More
Herbert Bayer 1900 to 1928: The Bauhaus and Pre-Bauhaus Years is the first in a chronological series of exhibitions that trace Bayer’s development from his earliest days in Austria through his years in the United States. Bayer was first a student and later a master (teacher) at the Bauhaus, generally regarded as the most important school of art and design of the 20th century. In Colorado, Bayer is best known as the designer of the Aspen Institute for Humanistic Studies, where he was able to apply the Bauhaus concept of “total design” across the Institute campus. More