Madonna and Child with Bird

circa 1730-40

Object

Artist

Ignacio Chacon, 1745-1775
Work Locations: Potosi, Bolivia

Locale

Country

Style/Tradition

Object Info

Object: painting
Not currently on view
Object ID: 1972.390

Medium/Technique

Oil paint and gold on canvas

Credit

Gift of Engracia Freyer Dougherty

More Info

Dimensions

height: 25 in, 63.5000 cm; width: 18.5 in, 46.9900 cm

Department

New World

Collection

New World-Spanish Colonial

Known Provenance

Gifted 27 November 1972 to the Denver Art Museum by Mrs. Engracia Freyer Dougherty. Provenance research is on-going at the Denver Art Museum. Please e-mail provenance@denverartmuseum.org, if you have questions, or if you have additional information to share with us.

Extended Info

This painting is from Cuzco, Peru, and incorporates Spanish influences along with strong native Incan iconography. The Cuzco area was once the center of the Inca Empire, and it continued to have a significant Inca population throughout the Spanish Colonial period. The Cuzco School included many native artists as well as those of Spanish descent.
     The Inca considered birds to be sacred, partially for their ability to fly and, consequently, to move closer to the sun god. Bird feathers were incorporated into clothing and headdresses of the Inca nobility and symbolized their exalted status. In Cuzco, paintings often incorporated birds or bird feathers into images of the Virgin and Christ to indicate their sacred and honored position in colonial society. The painting is finished with a gold brocade overlay known in Spanish as broceatado, typical of the Cuzco School.
     Madonna and Child with Bird was selected as the 2006 U.S. Postal Service Christmas stamp.
-- Donna Pierce, 2015

Exhibition History

  • "Peruvian Colonial Painting," Lowe Art Museum, University of Miami, Sept. 28-Nov. 12, 1972