Altarscreen panels mounted in contemporary framework

circa 1825

Object

Artist

Molleno
Active Dates: c. 1800 - c. 1850

Locale

  • New Mexico

Country

  • United States

Object Info

Object: painting
Not currently on view
Object ID: 1936.16

Medium/Technique

Paint and gesso on wood panel

Credit

Gift of Anne Evans Collection

About

About the Artist

Molleno worked as an artist in the Chimayó area of northern New Mexico from approximately 1800–1845. He is referred to as a santero—an artist who creates santos, or holy images. A scholar, E. Boyd, discovered a painting of Saint Francis with an inscription on the reverse that reads "San Francisco pitido [sic] el ano 1845 por el escultor Molleno.” “Saint Francis painted in the year 1845 by the sculptor Molleno.” Based on this inscription, art historians are able to attribute other works with matching characteristics to Molleno. During his career, Molleno developed three different styles of painting, referred to as his early, middle, and late periods. He moved from creating somewhat realistic figures to more simplified, abstract figures.

What Inspired It

Altar screens were generally placed behind the altar in a church, or on the side walls. The painted wooden panels within the frame, called retablos, depict images of Catholic saints, the Christ Child, and the Virgin Mary. The wooden frame on this screen was designed and created by former Denver Art Museum curator Robert Stroessner, in order to show how the panels would have been displayed in a Catholic church in New Mexico. Santos, the holy images portrayed in the individual panels, served as devotional figures that played an important role in church, community, and family rituals. Saints provided a way for individuals to communicate with God. They are identified by visual attributes, or symbols that represent important aspects of their lives (see examples the "Details” section). Santos also served an educational purpose. The figures portrayed here would have been familiar to most of the church-going population in New Mexico during this time. Many of these people could not read, so images were used to tell stories, instead of the written word.

Saint Joseph and the Christ Child
Saint Joseph and the Christ Child

The panel in the center of the top row shows Saint Joseph holding the Christ Child in his right arm, and holding a flowering staff in his left hand.

Virgin Mary
Virgin Mary

The Virgin Mary is located on the right side of the bottom row. She stands on a crescent moon wearing a blue cloak—two visual attributes associated with her.

Saint Christopher
Saint Christopher

Saint Christopher, the patron saint of travelers, can be found in the bottom left panel. A child once asked Christopher to carry him across a river. As they made their way across, the child grew increasingly heavy and Christopher struggled. When they reached the other side, the child revealed himself as Christ, and told Christopher that he had just carried the weight of the world on his shoulders. Christopher planted his staff by the edge of the river where it became a palm tree. He is recognized by the staff he carries in his right hand and the Christ Child in his left.

Saint Barbara
Saint Barbara

Saint Barbara can be seen in the center panel with a tower in the background. The tower represents a story in which her jealous father locked her in a tower, claiming she was too beautiful to be seen.

Eyes
Eyes

The eyes of the figures are simplified. A series of semi-circular lines make up the outline of each eye, and a dark dot is used to form the pupil.

Lips
Lips

A thin horizontal stripe of paint is crossed by short vertical lines to form the mouth. The lips, along with the eyes, are characteristic of Molleno’s more abstracted style.

Hands
Hands

The hands of the figures are not realistic. The fingers are long, and the thumbs are distended and form awkward angles with the rest of the hand. Notice the disproportionate size of the hands on the image of the Christ Child.

Chili Pepper Elements
Chili Pepper Elements

The tables and draperies are stylized and look like triangular chili peppers. An earlier name given to Molleno—the “Chili Painter”—refers to his tendency to create these chili pepper designs.

Head
Head

The figures’ heads are turned slightly to the side, so that we are presented with a ¾ view of the face, with a portion of the right side hidden. This position is characteristic of Molleno’s style.

Nose and Beard
Nose and Beard

Molleno often gave attention to the nose and beard of the figures. Notice here the dark outline around the figures’ noses, and the solid beards on the male figures.

Empty Niche
Empty Niche

The empty frame on the bottom row would probably have held a sculpture of a saint, called a bulto. Bultos were also made by santeros.

Teaching Resources

Quick Classroom Ideas

  • Divide students into small groups to design their own memory card game using famous figures and objects/symbols that represent them. For example, one card could say Thomas Edison and its matching card could have a picture of a light bulb. Have students trade their cards with another group and see how many matches they can find.
  • Create a class-portrait. Have students bring in a small object that is important to them, and draw portraits of themselves holding their objects. Create a display or collage of all the portraits to hang on the wall of your classroom.
  • The wooden frame on this screen was designed and created by a former Denver Art Museum curator to show how the individual panels would have been displayed in a Catholic church in New Mexico. Have students design their own frame. Hand out copies of Molleno’s Altar Screen and have students cut out the individual panels and rearrange them in their new frame.

Funding for object education resources provided by a grant from the Morgridge Family Foundation. Additional funding provided by the William Randolph Hearst Endowment for Education Programs, and Xcel Energy Foundation. We thank our colleagues at the University of Denver Morgridge College of Education.

The images on this page are intended for classroom use only and may not be reproduced for other reasons without the permission of the Denver Art Museum. This object may not currently be on display at the museum.