Notable for its cultural and temporal range and artistic quality, the Latin American collection of the Denver Art Museum is the most comprehensive collection in the United States and one of the best in the world.
Spanning three and a half centuries (c. 1492-1850), the collection of over 3,000 objects represents the diverse cultures and geographic areas of Latin America including Mexico, Guatemala, Panama, Colombia, Venezuela, Ecuador, Bolivia, Peru, Argentine, Chile, and the southwestern United States.
During the Martin Building project, the Latin American art galleries are closed. Please view select pieces from the Denver Art Museum’s Latin American collection in the cross-departmental exhibition The Light Show.
EXPLORE THE COLLECTION ONLINE: Browse artworks from the Latin American art collection anytime. Check back often for additions and updates.
Initiated in 1936 with a gift from Anne Evans of santos from southern Colorado and New Mexico, the Spanish Colonial collection has grown dramatically over the years to include more than 3,000 objects. The gift of the Frank Barrows Freyer Memorial Collection of colonial paintings, sculpture, and furniture, collected in Peru and Bolivia in the 1920s, commenced in 1968. In 1990, the Stapleton Foundation of Latin American Colonial Art gifted its extensive collection of colonial art from northern South America. Acquired between 1895 and 1914 by Daniel C. Stapleton, the collection’s donation was made possible by the Renchard family of Washington, D.C. In addition, major gifts from several generous donors have greatly enriched the collection. These include an exemplary collection of Spanish Colonial silver from the Robert Appleman family, a major gift of furniture and decorative arts from Venezuela by the Collection of Patricia Phelps de Cisneros, and spectacular examples of Mexican Colonial painting and decorative arts from Frederick and Jan Mayer.
The collection includes many unusual and distinctively American objects such as feather paintings from Mexico, small copper paintings worn as brooches by nuns, an Asian-influenced painted folding screen depicting a garden party, oil-on-canvas paintings embellished with applied gold leaf, and panel paintings inlaid with mother-of-pearl.
The depth and breadth of the paintings collection is complemented by its artistic quality. The major stylistic movements and workshops are well represented, in many cases with signature pieces such as a full set of sixteen casta paintings by Francisco Clapera, a complete series of Inca ruler portraits, the Virgin of Málaga from Bolivia, Madonna and Child with Bird from Peru, Saint Michael and the Bull by Mexican artist Sebastián López de Arteaga, and the Virgin de la Leche by Mateo Pérez de Alesio.
Join a docent for a 30-minute, in-depth look at an aspect of the museum’s collections or something special happening in the galleries. More
Often dubbed “the surrealist sculptor par excellence,” Cuban artist Agustín Cárdenas (1927-2001) participated in the surrealist group’s activities, most notably their international exhibitions, both in Paris and abroad during the postwar period.
Having enjoyed early recognition in Cuba before relocating to the French capital in 1955, Cárdenas’s five-decade career gained momentum at a moment when the surrealist movement was waning, however. More
News & Stories
On Saturday, February 23, artists, scholars, and curators will meet at the Denver Art Museum for a symposium on Who Owns Culture? Appropriation & Appreciation in the Global Art World. As a global art museum with artworks from many cultures around the world, the DAM is proud to contribute to this complex and ongoing discussion. More
Learn how the DAM conserved these three kings from the 1700s and see them in Stampede: Animals in Art. More
Watch videos that tell the story of how curators, conservators, and educators worked to conserve The Virgin of Valvanera on view through February 18, 2018. More
Reducing the varnish is one of the phases of conserving this painting from the 1700s. More
Examining the painting reveals that it is in remarkably good condition, especially since it's over 300 years old. More
This video shows the DAM's conservation and curatorial team visiting Mexico City to learn more about The Virgin of Valvanera. More
Scholars wishing to access the Mayer Center for Ancient and Latin American Art department collections and/or library holdings must contact the Mayer Center well in advance of a visit. Due to ongoing construction and renovation of the galleries, six to eight weeks’ notice is recommended. If approval for a study is granted, the collection/library will be made available as the staff of the DAM's schedule permits. Please plan accordingly. Please contact firstname.lastname@example.org for more information.
The Mayer Center Fellow Program
This program is designed to support scholarly research related to the museum’s collections of Latin American art and art of the ancient Americas and to provide curatorial experience to art historians.
Recent Mayer Center publications on Latin American art are available for purchase in The Shop and include:
- Companion to Glitterati: Portraits & Jewelry from Colonial Latin America at the Denver Art Museum. Edited by Donna Pierce and Julie Wilson Frick. Denver Art Museum, 2015.
- Festivals & Daily Life in the Arts of Colonial Latin America, 1492–1850. Edited by Donna Pierce. Denver Art Museum, 2014.
- Companion to Spanish Colonial Art at the Denver Art Museum. Donna Pierce. Denver Art Museum, 2011; reprinted 2015.
- At the Crossroads: The Arts of Spanish America & Early Global Trade, 1492–1850. Papers from the 2010 Mayer Center Symposium at the Denver Art Museum. Edited by Donna Pierce and Ronald Y. Otsuka. Denver Art Museum, 2012.
- The Arts of South America, 1492–1850: Papers from the 2008 Mayer Center Symposium at the Denver Art Museum. Edited by Donna Pierce. Denver Art Museum, 2010.
- Asia and Spanish America: Trans-Pacific Artistic and Cultural Exchange, 1500–1850: Papers from the 2006 Mayer Center Symposium at the Denver Art Museum. Edited by Donna Pierce and Ronald Y. Otsuka. Denver Art Museum, 2009.
- Exploring New World Imagery: Spanish Colonial Papers from the 2002 Mayer Center Symposium at the Denver Art Museum. Edited by Donna Pierce. Denver Art Museum, 2005.
- Painting a New World: Mexican Art and Life, 1521-1821. Donna Pierce, Clara Bargellini and Rogelio Ruiz Gomar. Denver Art Museum, 2004.
- Jorge Rivas Pérez, Frederick & Jan Mayer Curator of Latin American Art
- Victoria Lyall, Frederick & Jan Mayer Curator of Art of the Ancient Americas
- Jesse Laird Ortega, Senior Curatorial Assistant
- Maria Luisa Minjares, Curatorial Assistant
- Jared Katz, Mayer Postdoctoral Fellow for Latin American Art
- Maria Trujillo, Interpretive Specialist
- Julie Wilson Frick, Mayer Center Program Coordinator
- Anne Tennant, Research Associate
- Margaret Young-Sánchez, Ph.D., Frederick & Jan Mayer Curator of Pre-Columbian Art 1999-2016
- Donna Pierce, Ph.D., Frederick & Jan Mayer Curator of Spanish Colonial Art 1999-2015
- Gordon McEwan, Ph.D., Curator 1991-1998
- Robert Stroessner, Curator 1968-1991
Mayer Center symposia are held annually, alternating between Latin American art and art of the ancient Americas topics.
Past Latin American symposia topics include:
- Circulación: Movement of Ideas, Art and People in Spanish America (2016)
- New England / New Spain: Portraiture in the Colonial Americas, 1492-1850 (2014)
- Festivals and Daily Life in the Arts of Colonial Latin America (2012)
- At the Crossroads: The Arts of Spanish America and Early Global Trade, 1492-1850 (2010)
- The Arts of South America, 1492-1850 (2008)
- Asia and Spanish America: Trans-Pacific Artistic and Cultural Exchange, 1500-1850 (2006)
- Painting a New World: Mexican Art and Life, 1521-1821 (2004)
- Pre-Columbian and Spanish Colonial Art in the Collections at the Denver Art Museum (2002)