Print Studio and Weekend Artist Demonstrations
Starting on October 1, step into the Print Studio to get into a printmaker's mindset and create your own original prints. Design your own printing plate, or experiment with color and layering.
In this Studio, you’ll learn from your fellow printmakers about the magic of reverse image, the right way to roll ink, and how to make the most of multiples. No printmaking experience required!
On weekends, connect to Denver’s creative community at our artist demonstrations. Every Saturday and Sunday from noon–3 is a new chance to see different printmaking processes in action, from screenprinting, to monotypes, to linocut, woodblock, and more.
Artist Demonstration Calendar/Calendario de demostraciones
October 6–7/6–7 de octubre: Angel Estrada, Landscape in Drypoint & Monotype/Paisaje en punta seca y monotipo
October 13–14 & 20–21/13–14 y 20–21 de octubre: Melanie Yazzie, Monotype Printmaking/Grabado de monotipos
October 27–28/27–28 de octubre: Mami Yamamoto, Monotype Printmaking with Layers/Grabado de monotipos con capas
November 3–4/3–4 de noviembre: Javier Flores, Multi-layer Reductive Woodcuts/Xilografía de varias capas, método reductivo
November 10–11 & 17–18/10–11 y 17–18 de noviembre: Ashley Nason, Screen print on Lithography/Serigrafía sobre litografía
November 24–25/24–25 de noviembre: Leon Loughridge, Contemporary Japanese Moku Hanga/Moku Hanga japonés contemporáneo
December 1–2/1–2 de diciembre: Virginia Diaz Saiki, Neighborhoods Etched/Barrios en aguafuerte
December 8–9 & 15–16/8–9 y 15–16 de diciembre: Gregory Santos, Stone Lithography/Litografía con piedra
December 22–23 & 29–30/22–23 y 29–30 de diciembre: Ashley Quick, Relief Printmaking: Alternative Methods/Grabado en relieve: métodos alternativos
January 5–6/5–6 de enero: Angel Estrada, Landscape in Relief/Paisaje en relieve
January 12–13 & 19–20/12–13 y 19–20 de enero: Jennifer Ghormley, Woodblock Printing/Xilografía
January 26–27/26–27 de enero: Sarah Fukami, From Japanese Woodcut to Contemporary Linocut/De la xilografía japonesa al linóleo contemporáneo
February 2–3/2–3 de febrero: Javier Flores, Multi-layer Reductive Woodcut/Xilografía de varias capas, método reductivo
February 9–10 & 16–17/9–10 y 16–17 de febrero: Fawn Atencio, Collective Whereabouts: Interactive Printmaking/Paraderos colectivos: grabado interactivo
February 23–24/23–24 de febrero: Theresa Haberkorn, Multi-color Woodcut Printmaking/Xilografía multicolor
March 2–3/2–3 de marzo: Virginia Diaz Saiki, Neighborhoods Carved/Barrios labrados
March 9–10 & 16–17/16–17 y 9–10 de marzo: Taiko Chandler, Monoprints with Stencils/Monograbados con plantillas
March 23–24 & 30–31/23–24 y 30–31 de marzo: Emily Moyer, Lithography/Litografía
April 6–7/6–7 de abril: Tony Ortega, Hand–colored Solar Etchings/Aguafuerte solar coloreado a mano
April 13–14/13–14 de abril: Johanna Mueller, Relief Engraving Methods/Métodos de grabado en relieve
April 20–21/20–21 de abril: Jade Hoyer, Silkscreen Printmaking/Serigrafía
April 27–28/27–28 de abril: Tony Ortega, Hand-colored Solar Etchings/Aguafuerte solar coloreado a mano
May 4–5/4–5 de mayo: Virginia Diaz Saiki, Collagraphy: Neighborhood Monsters/Colagrafía: monstruos del barrio
The Print Studio is sponsored by Robert and Judi Newman Family Foundation.