Julie Codell, professor of art history at Arizona State University, looks at the late 19th-century Americans who collected artwork by Edgar Degas.
She explores how these collectors’ choices, sources, and ideas about Degas as an Impressionist shaped the artist’s early reputation in America.
First-come seating; doors open at 4:30 PM.
Sponsored by Friends of Painting and Sculpture, a DAM support group.
Image: Edgar Degas, Self-Portrait, 1857. Drypoint on paper, from a cancelled plate © The Fitzwilliam Museum, Cambridge.