Citing Jackson Pollock, Willem de Kooning, and Mark Rothko as formative influences on her practice, she soon developed her revolutionary style of painting to create a prolific body of work. More
In the mid-to-late 1940s, Elaine de Kooning began her first abstract paintings and worked as an editorial associate at ARTnews. More
While working for the WPA, Krasner studied under Hans Hofmann, who ignited her interest in and exposure to the School of Paris art movement and the works of Picasso and Matisse. More
Nature was Mary Abbot’s greatest companion, inspiration, and passion throughout her entire life. More
CLOSING SOON: Learn about the 12 artists in this exhibition and see it before it closes. On view through September 25, 2016. More
Ethel Schwabacher's diverse influences in painting reflect her rich experience of life. More
This summer the Denver Art Museum will showcase the work of artist Tom Wesselmann, who is best known for his role in the development of pop art in the 1960s. Beyond Pop Art: A Tom Wesselmann Retrospective follows the evolution of the artist’s work through the course of four decades. This five-part blog series is designed to complement the exhibition by calling out five defining moments that shaped Wesselmann’s approach to artmaking. More
The DAM is publishing a series of interviews with local artists about how they were inspired or influenced by artists whose work is on view at the museum. The first blog posts focused on Modern Masters: 20th Century Icons from the Albright-Knox Art Gallery.
Image credit: Lea Wells, Sail. Courtesy of the artist. More
Fascinated by science and technology, Lucio Fontana refused to think of science and art as two distinct entities. First known for his sculptures, it wasn’t until 1949, at the age of 48, that Fontana explored the style of 'spatial concepts' that he is most well-known for today. From that time on, Fontana began using “concetto spaziale” (spatial concepts) accompanied by a secondary, or more referential word or term. These 2-D pieces were characterized by holes, slashes, or cuts through the canvas surface. More
“I tried to keep the paint as good as it was in the can.” American artist Frank Stella first gained the attention of the art world with his “Black Paintings,” which he created between 1958 and 1960. The compositions of these paintings fall into one of two groups: the earlier paintings are rectilinear and the later ones are based on a diamond pattern. More
Note: Helen Frankenthaler is one of the artists featured in Women of Abstract Expressionism, which will be on view at the Denver Art Museum June 12-September 25, 2016. This blog was originally published for the Modern Masters exhibition. More
Frida Kahlo painted her life story in 55 small but powerful self-portraits, like Self-Portrait with Monkey, 1938, on view in Modern Masters: 20th Century Icons from the Albright-Knox Gallery. She exposed her life honestly through her paintings, but her portraits went beyond documentation of her own biography. More
For Wassily Kandinsky, music and color were inextricably tied to one another. So clear was this relationship that Kandinsky associated each note with an exact hue. He once said, “the sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.” More
Alfred Sisley was born and lived in France for most of his life, but inherited British nationality from his father and never received French citizenship. Although he was raised in Paris, he lived in the outskirts of the city for most of his life, finally settling near Fontainebleau in 1880.
Key piece to look for: Seine at Bougival (La Seine à Bougival), 1873 More
Édouard Manet primarily worked in Paris, where he painted café singers, horse races, outdoor social gatherings, and other scenes of modern urban life. “We are not in Rome and we don’t want to go there,” he said, expressing his concern that artists should paint contemporary life as they knew it, instead of following the tradition of copying Italian Old Master paintings. “We are in Paris, let’s stay here.” He did occasionally travel to Spain and the Netherlands to study other artists’ work, and to the coasts of France, where he painted The Beach at Berck. More
Berthe Morisot lived and worked primarily in the Rue des Moulins district of Paris. Her proximity to Paris’ museums and circle of artists gave her the opportunity to study under Camille Corot and become close friends with Édouard Manet, whose brother she eventually married.
Key piece to look for: Lesson in the Garden (La Leçon au Jardin) 1886. More
Pierre-Auguste Renoir’s family moved to Paris when he was a child, and he worked there for the rest of his career. Always looking for new motifs to paint, he traveled extensively, visiting North Africa, Genoa, and many major European cities. Later in his life, he spent winters in southern France, increasingly preferring the idyllic countryside to the bustling city.
Key piece to look for: Banks of the Seine, Bougival (Bords de la Seine, Bougival),1871 More
Henri de Toulouse-Lautrec worked in Paris from 1882 to his death in 1901. He is most known for his work between 1891 and 1900, when he lived in Montmartre, a neighborhood of Paris famous for its cabarets, cafes, nightclubs, and brothels.
Key piece to look for: Jane Avril Leaving the Moulin-Rouge¸1892 More
Edgar Degas was born in Paris in 1834 to a wealthy banking family. After spending three years in Italy copying Italian master paintings, he returned to Paris, focusing on a variety of contemporary subjects—including dancers, race horses, seascapes, and brothel scenes. Although he travelled extensively in the early 1870s, Degas spent the majority of the rest of his career in Paris.
Key piece to look for: Double Portrait–The Cousins of the Painter, 1865 More
Camille Pissarro was born in St. Thomas (then part of the Danish West Indies) and lived there most of his young adult life, except when he attended school in Paris from 1842 to 1847. He moved to France in 1855, first establishing himself in Paris and then living in various towns in the countryside outside the city. He did not travel as extensively as other impressionists, choosing to focus on painting the landscapes around the villages he lived in. More