Anthony & Delisa Mayer Photography Gallery, Level 7, North Building (CLOSED)
The photography department is recognized for its extensive holdings of nineteenth-century work, notably of the American West. Collectively, the museum’s works of early photography reflect both the achievements of the medium’s outstanding practitioners and the shifting environmental attitudes of nineteenth-century Americans. The collection also has strong holdings of European and American modernist photography.
Level 7 Galleries Now Closed; Upcoming Exhibition & Ongoing Lectures
Level 7 of the North Building closed on January 29, 2017. This is an early step toward realizing the North Building revitalization project.
Exhibitions and programs will remain ongoing during this closure, including:
- The exhibition Common Ground: Photographs by Fazal Sheikh, 1989-2013, on view August 13-November 12, 2017 in the Hamilton Building, level 1.
- Select the "Things to Do" tab to learn about the Anderman Photography Lecture Series.
The Daniel Wolf Landscape Photography Collection encompasses the work of photographers from Maine to California, and gives special emphasis to Western landscapes by acknowledged masters such as William Bell, W.H. Jackson, Timothy O’Sullivan, Andrew Joseph Russell, Adam Clarke Vroman, and Carleton E. Watkins. Additional nineteenth-century holdings include recent acquisitions of masterworks such as William Henry Fox Talbot’s 1845 A Scene In York and several Henry Bosse cyanotypes from the album, Views on the Mississippi River. Collectively, the museum’s works of early photography reflect both the achievements of the medium’s outstanding practitioners and the shifting environmental attitudes of nineteenth century Americans.
European modernism is an additional strength of the photography collection, and one with significant affinity to artworks and other materials in the museum’s Herbert Bayer Archive. Important photographs by Bayer, Frantisek Drtikol, Jaromir Funke, Gyorgi Kepes, Man Ray, and others express the spirit of modernist vision and show the remarkable command of technique instilled through experiment. Works of American modernism by Berenice Abbott, Laura Gilpin, Edward Weston, and others show how similar approaches to light and form expressed in quite different responses.
Photographs in the collection from the second half of the twentieth century respond to changing perceptions and values, both in the art world and in the world at large. The museum’s substantial collection of Robert Adams photographs addresses environmental dilemmas in the American West through plain-spoken images of human-altered landscapes. Works by Diane Arbus and Larry Clark find dignity, frailty, and pathos in the marginalized. And the museum’s extensive holdings of Garry Winogrand photographs cull generous, humorous, and sometimes startling, stories from the chaos of everyday life in the streets.
Since 1970, photographers have frequently blurred the line between the medium and other artistic disciplines. The department has collected outstanding examples of contemporary photographic work to parallel the DAM’s modern and contemporary art collection. Works by artists such as Chuck Close, Petah Coyne, and Tom Friedman display the rich cross-fertilization that occurs when painters, sculptors and conceptual artists explore new ideas through photography. Other pieces, by David Levinthal, Cindy Sherman, and Lorna Simpson push the conventions of photography to new limits and expand our understanding of what the medium can be, while photographs by international artists, such as Shirin Neshat and Liu Wei exhibit the exchange of ideas that is possible in today’s universally connected world.
Things To Do
Common Ground: Photographs by Fazal Sheikh, 1989-2013, is the first comprehensive American exhibition of critically acclaimed photographer Fazal Sheikh’s work. The more than two-decade-long career of the Kenyan-rooted and American-born artist has focused on raising awareness of international human rights issues through his documentary-based photography practice. More
News & Stories
The top 30 winning submissions will be on view at Untitled: Stop Motion on September 30, 2016. More
Follow in the footsteps of photographers Timothy H. O'Sullivan and William H. Bell, whose work is currently on view in On Desert Time: Landscape Photographs by O’Sullivan & Bell, 1871-1874, and capture an image that reflects the Colorado landscape. More
Read our Q&A with photographer Danny Singer and see the exhibition of his work on view now. More
Read our Q&A with Eric Paddock. More
As you may have seen on Instagram, the Denver Art Museum held a Curator’s Choice: #DispatchPortrait contest in conjunction with the opening of the photography exhibition Alec Soth: Colorado Dispatch (on view through November 29). More
The Denver Art Museum recently opened the photography exhibition Alec Soth: Colorado Dispatch. Photographed over the course of a 2013 road trip, Colorado Dispatch presents the core of Soth’s work from the Centennial State, including photographs of ordinary citizens, familiar landscapes and puzzling details of local culture that offer an unromanticized, yet affectionate, view of the land and its people. More
These DAM photography publications are available in the Shop and online.
- Companion to the Strauss Photography Collection at the Denver Art Museum. Eric Paddock. Denver Art Museum, 2014.
- Walking Magpie: On and Off the Leash. Chuck Forsman. Denver and Staunton, VA: Denver Art Museum and George F. Thompson Publishing, 2013.
- Robert Benjamin: Notes from a Quiet Life. Robert Benjamin. Santa Fe and Denver: Radius Books in cooperation with the Denver Art Museum, 2012.
- Prairie. Robert Adams. Denver and San Francisco: Denver Art Museum and Fraenkel Gallery, 2011.
- Eric Paddock, Curator
- Micah Messenheimer, Curatorial Assistant