European & American Art Galleries, Level 6, North Building
The department of painting and sculpture oversees the European art collection before 1900 and the American art collection before 1945. Together they include more than 3,000 artworks and are composed of painting, sculpture, and prints.
The department also curates the internationally renowned Berger Collection of mostly British paintings, drawings, and medieval works of art, as well as a significant collection of predominantly French eighteenth- and nineteenth-century drawings on long-term loan to the museum by a private collector.
Throughout the years, gifts, bequests, purchases and acquisitions have shaped the European and American collections, from the early donation of Gustave Courbet’s Valley of the Black Pool in 1930 to the recent 2008 purchase of Lucien Lévy-Dhurmer’s The Dolomites.
The collection features significant French nineteenth-century works and important Renaissance and Old Master paintings, including the Samuel H. Kress collection of 37 paintings and sculptures, gifted to the Denver Art Museum in 1961. The collection also benefited from the bequest of Helen Dill, a Denver schoolteacher whose legacy allowed the purchase of several masterpieces, including Claude Monet’s Waterlilies, Camille Pissarro’s Autumn, Poplars, Éragny and Winslow Homer’s Two Figures by the Sea.
News & Stories
Read fascinating statements from their letters and journals. More
Information regarding members, families, groups, and special events. More
Here are some tips and guidelines to help you prepare for your visit to the Denver Art Museum exhibition Her Paris: Women Artists in the Age of Impressionism. More
Here are a few ideas for extending a quick glance into a lingering look using Maria van Oosterwyck’s Bouquet of Flowers in a Vase as an example. More
See a work by one of Bosch's followers on view at the DAM. More
The idea of reversibility is a very important concept in modern conservation practice. I chose materials with good and known aging characteristics, understanding that my work may need to be removed and/or redone, in the future. It is important that my conservation treatments are reversible. I know that the adhesive I chose to bond the original and lining canvases could be separated in the future and will not cause further harm to the artwork. More
Recent publications on European and American art that the department has contributed expertise to include:
- Wyeth: Andrew & Jamie in the Studio, Timothy J. Standring. Denver Art Museum in association with Yale University Press, 2015.
- Castiglione: Lost Genius-Masterworks on Paper from the Royal Collection, Timothy J. Standring and Martin Clayton, 2015.
- Treasures of British Art, 1400–2000: The Berger Collection. Kathleen Stuart. Denver Art Museum, 2014.
- Daniel Sprick's Fictions: Recent Work. Timothy J. Standring. Denver Art Museum in association with Fresco Books, 2014.
- Nature as Muse: Inventing Impressionist Landscape. Christoph Heinrich. Denver Art Museum, 2013.
- Master Drawings from the Collection of Esmond Bradley Martin. Kathleen Stuart. Denver Art Museum, 2013.
- Companion to European Painting before 1800 at the Denver Art Museum. Angelica Daneo. Denver Art Museum, 2013.
- Becoming Van Gogh. Timothy J. Standring and Louis van Tilborgh. New Haven and Denver: Denver Art Museum in association with Yale University Press, 2012.
- The Helen Dill Bequest: A Schoolteacher’s Legacy. Nancy B. Tieken. Denver Art Museum, 2012.
- The Kress Collection at the Denver Art Museum. Angelica Daneo. Denver Art Museum, 2011.
- Inspiring Impressionism: The Impressionists and the Art of the Past. Edited by Ann Dumas. Denver Art Museum, 2007.
- Timothy J. Standring, Gates Foundation Curator of Painting & Sculpture
- Angelica Daneo, Curator of Painting & Sculpture
- Kathleen Stuart, Curator of the Berger Collection
- Emily Willkom, Curatorial Assistant for Painting & Sculpture
- Melora McDermott-Lewis, Chief Learning and Engagement Officer
- Lauren Thompson, Interpretive Specialist