Conservation

The conservation department at the Denver Art Museum is made up of conservators with specialties in works of art on paper, photographs, paintings, textiles, archaeological and ethnographic objects, and modern and contemporary art. The department also includes a conservation technician and a conservation assistant.

Conservation at the DAM

The conservation department at the Denver Art Museum was established in 1991 and initially focused on the conservation of three-dimensional objects. Now, the department is made up of five conservators with specialties in works of art on paper, photographs, paintings, textiles, archaeological and ethnographic objects, and modern and contemporary art. The department also includes a conservation technician and a conservation assistant.

The primary responsibility of the department is to care for the museum’s collection in accordance with the museum’s mission to preserve works of art for future generations. The conservation department also supports exhibition and loan programs at the DAM by assessing the suitability of artworks for display or loan, treating artworks to prepare them for display, advising on handling and transport, and collaborating with curators. The department contributes to the conservation profession as a whole by participating in professional organizations and conferences, collaborating with colleagues outside the museum, and training qualified interns and fellows.

What Is Conservation?

Conservation is a profession dedicated to the long-term preservation of artistic, historic, and cultural materials. Professional conservation practice is guided by a code of ethics intended to protect the integrity and authenticity of works of art. Conservators are professionals with advanced training in art history, science, conservation techniques, and related fields.

One part of conservation practice is the physical treatment of artworks to stabilize their materials and structure or to bring back aspects of their original appearance. Treatments are customized to individual objects and may include such activities as cleaning, reinforcing fragile connections, repairing breaks, or, when appropriate, replacing missing parts.

Preventive conservation, another important part of the field, slows down deterioration of objects. In a museum setting, preventive measures require collaboration between various departments and range from controlling building-wide climate conditions to training staff in appropriate art handling skills to specifying exhibition light levels for individual objects. To support treatment and preventive conservation, conservators carry out detailed written and photographic documentation of artworks, scientific analysis, and research into the techniques and materials used by artists throughout time.

Conserving a 1700s Painting: The Virgin of Valvanera

Conserving a 1700s Painting: The Virgin of Valvanera

Thanks to a 2016 grant from the Bank of America Conservation Art Project, the Denver Art Museum will evaluate, analyze, clean, and treat The Virgin of Valvanera. This painting created in Mexico City in the 1700s was gifted to the DAM by Frederick and Jan Mayer and is an important work in the museum’s renowned Spanish Colonial collection.

This series of blogs provides a behind-the-scenes look at the conservation process.

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Giovanni Antonio Canal, called Canaletto,

CONSERVING A CANALETTO

Upon examination, an artwork in the Denver Art Museum's collection was discovered to be a very important painting by the Italian master, Canaletto. Thanks to a generous grant from The European Fine Art Fair (TEFAF) Restoration Fund, the masterwork Venice: the Molo from the Bacino di San Marco underwent conservation treatment in 2012.

Read a multi-part series to learn how conservators carefully examined, cleaned, and readied this painting for its public debut.

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