The American West in Bronze, 1850–1925, showcases sculptures by Frederic Remington, Charles M. Russell, Hermon Atkins MacNeil, Paul Manship, and more than 20 other artists.
Mayo 30, 2014 – Agosto 31, 2014
En todo el complejo del museo — Incluido con la admisión general
Desde las pinturas pop hasta las esculturas en bronce y divertidas manualidades, hay algo para todos este verano.
Herbert Bayer spent an artistically fruitful decade in Berlin following his tenure at the Bauhaus. His graphic designs of the time are characterized by inventive integration of typography, photomontage, and graphics. Born of Bayer’s multidisciplinary method, these designs appear fresh, even today.
Drawing from the Denver Art Museum’s extensive Spanish colonial art collection, Fashion Fusion looks at the influence textile motif’s have had on other artistic mediums.
From recycled plastics and bound clothing to woven silks and charred tree limbs, Material World illustrates the wide range of materials and techniques used by contemporary artists.
The environment, literacy, peace, and equality are just a few of the subjects that designers tackle in Drawn to Action: Posters from the AIGA Design Archives. With a touch of humor or with straightforward solemnity, the 33 posters in this exhibition demonstrate the inventive techniques designers use to provoke action.
Following nearly one year of conservation treatment, an Italian masterwork discovered in the Denver Art Museum storage is on view. Since spring 2012, we have been writing updates about behind-the-scenes discoveries and decisions related to the restoration.
The 30 artworks in this exhibition reveal the versatility of lacquer as a medium used by Japanese artists to create containers, trays, plaques, braziers, and screens. A wide range of techniques are represented to demonstrate how lacquer was used during the last century to create objects of enduring beauty. The selected artworks reflect the changing styles and tastes of successive generations of lacquer artists who produced designs based on plants, animals, and other elements of nature.
This summer, Jason Rogenes will transform the Precourt Discovery Hall into an immersive sculptural environment where families can play with custom cast “asteroids” to create otherworldly soundscapes. Part of a rich summer program focusing on sculpture, the installation—made out of cardboard and reclaimed Styrofoam—will encourage visitors to reconsider familiar and typically discarded materials for their artmaking possibilities.
Sovereign: Independent Voices highlights the work of three leading American Indian contemporary artists, Kent Monkman, Rose Simpson, and Virgil Ortiz, who have received international acclaim. These artists challenge people to think more broadly about the place of native artists in the contemporary art world through a fusion of historic techniques with contemporary styles and ideas. The included works reflect meditations on the self and native histories in a variety of media, including painting, sculptural ceramics, and multimedia works.
Depth and Detail: Carved Bamboo from China, Japan, and Korea showcases a variety of carved, cut, incised, and etched bamboo objects. The exhibition demonstrates how artists used bamboo, carving deeply through it to achieve different colors and textures. The intricate decoration of the items on view includes religious imagery as well as people, animals, birds, insects, plants, and landscapes that tell stories or have symbolic meaning.
Rupprecht Matthies’ ¿Being Home? is a community-inspired, interactive artwork that grows with each installation. In 2009 and 2011, Matthies collaborated with immigrants at Denver-area community organizations, including the African Community Center, the Emily Griffith Opportunity School, and Centro San Juan Diego, to gather words evocative of notions of home. The resulting words—transformed into mobiles, pillows, and wall pieces—are in 13 languages including English, Spanish, Arabic, and Kareni.
Experience one of the world's premier collections of Native American art. Reopened on January 30, 2011, our remodeled galleries of American Indian and Northwest Coast art focus on artists and their creations, revealing the hand and eye of each individual artist.
Nampeyo: Excellence by Name is on view in the American Indian art galleries. Nampeyo is recognized as one of the greatest ceramicists of the 20th century. This exhibition traces the full spectrum of the famed Hopi artist’s career, highlighting key elements of her innovative forms and designs and the work of successive generations of her family.
Cubism was the most revolutionary and influential movement of the twentieth century. After Renaissance artists perfected the device of perspective, a painting was thought of as a window into the world. But cubist painters understood that canvases themselves were painted objects. They also rejected the idea that an object rendered with traditional perspective was any more “real” than an abstraction of that object on the flat surface.