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Monday April 14, 2014

Please be advised that the museum is closed on Mondays. Any events scheduled for Monday are either held off-site, ticketed in advance or are invitation only.

Exhibitions

Sunday, May 19, 2013Sunday, January 4, 2015

From recycled plastics and bound clothing to woven silks and charred tree limbs, Material World illustrates the wide range of materials and techniques used by contemporary artists.

Sunday, December 15, 2013Sunday, January 18, 2015

The environment, literacy, peace, and equality are just a few of the subjects that designers tackle in Drawn to Action: Posters from the AIGA Design Archives. With a touch of humor or with straightforward solemnity, the 33 posters in this exhibition demonstrate the inventive techniques designers use to provoke action.

Saturday, February 16, 2013Sunday, February 15, 2015

Following nearly one year of conservation treatment, an Italian masterwork discovered in the Denver Art Museum storage is on view. Since spring 2012, we have been writing updates about behind-the-scenes discoveries and decisions related to the restoration.

Sunday, November 18, 2012Sunday, April 5, 2015

The 30 artworks in this exhibition reveal the versatility of lacquer as a medium used by Japanese artists to create containers, trays, plaques, braziers, and screens. A wide range of techniques are represented to demonstrate how lacquer was used during the last century to create objects of enduring beauty. The selected artworks reflect the changing styles and tastes of successive generations of lacquer artists who produced designs based on plants, animals, and other elements of nature.

Sunday, September 15, 2013Sunday, July 26, 2015

Sovereign: Independent Voices highlights the work of three leading American Indian contemporary artists, Kent Monkman, Rose Simpson, and Virgil Ortiz, who have received international acclaim. These artists challenge people to think more broadly about the place of native artists in the contemporary art world through a fusion of historic techniques with contemporary styles and ideas. The included works reflect meditations on the self and native histories in a variety of media, including painting, sculptural ceramics, and multimedia works.

Sunday, August 25, 2013Wednesday, September 30, 2015

Depth and Detail: Carved Bamboo from China, Japan, and Korea showcases a variety of carved, cut, incised, and etched bamboo objects. The exhibition demonstrates how artists used bamboo, carving deeply through it to achieve different colors and textures. The intricate decoration of the items on view includes religious imagery as well as people, animals, birds, insects, plants, and landscapes that tell stories or have symbolic meaning.

Sunday, November 10, 2013Wednesday, September 30, 2015

Rupprecht Matthies’ ¿Being Home? is a community-inspired, interactive artwork that grows with each installation. In 2009 and 2011, Matthies collaborated with immigrants at Denver-area community organizations, including the African Community Center, the Emily Griffith Opportunity School, and Centro San Juan Diego, to gather words evocative of notions of home. The resulting words—transformed into mobiles, pillows, and wall pieces—are in 13 languages including English, Spanish, Arabic, and Kareni.

Sunday, January 30, 2011Sunday, December 27, 2015

Experience one of the world's premier collections of Native American art. Reopened on January 30, 2011, our remodeled galleries of American Indian and Northwest Coast art focus on artists and their creations, revealing the hand and eye of each individual artist.

Sunday, January 30, 2011Sunday, December 27, 2015

Nampeyo: Excellence by Name is on view in the American Indian art galleries. Nampeyo is recognized as one of the greatest ceramicists of the 20th century. This exhibition traces the full spectrum of the famed Hopi artist’s career, highlighting key elements of her innovative forms and designs and the work of successive generations of her family.

Sunday, January 26, 2014Sunday, January 10, 2016

Cubism was the most revolutionary and influential movement of the twentieth century. After Renaissance artists perfected the device of perspective, a painting was thought of as a window into the world. But cubist painters understood that canvases themselves were painted objects. They also rejected the idea that an object rendered with traditional perspective was any more “real” than an abstraction of that object on the flat surface.